The biggest set pieces, in addition to the high-speed Castel Sant’Angelo sequence, include a Russian prison break that turns out to be on an icy mountaintop, and a chase through the labyrinthine tunnels of an abandoned South American copper mine, with Hartley, Nolan and The Bishop in a deluxe 1931 Mercedes and Inspector Das and her team in pursuit in a jeep.
The fight that ensues once the intruders are inside that confined space, like all the physical clashes, is expertly choreographed.
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He keeps it in a high-security vault full of priceless artifacts, with entry requiring lots of cool gadgetry and smart subterfuge. There’s a fun, flirtatious buildup between her character and Johnson’s as they tango during a ritzy party at the Valencia mansion of a billionaire arms dealer named Sotto Voce (Chris Diamantopoulos), who owns the second egg. The Bishop (we never learn her real name) is a supreme tactician with useful connections all over the world, who handles herself formidably whether in high-kicking heels, with firearms, or by grabbing whatever ancient weaponry is at hand. The film’s keenest pleasures come when Gadot is onscreen, clearly having a ball shrugging off all traces of heroic nobility to play a ruthless badass who makes everything look easy. He rolls his eyes every time he’s the butt of another one of Nolan’s wisecracks, in a begrudging rapport that inevitably morphs into bromance. Johnson, who worked with the writer-director previously on Central Intelligence and Skyscraper, does his usual affable deadpan with relaxed charm. “You a top or a bottom?” Nolan asks from the bunk bed when Hartley finds himself sharing a Russian prison cell with the thief. While Thurber’s script never quite shakes the feeling of déjà vu, it does deliver a steady stream of amusing one-liners, most of them given to Reynolds’ self-serving jokester. She seems to be one step ahead of her rivals at every turn in a plot that keeps deftly springing double-crosses, surprise twists and long cons through to the very end, when all three of Cleopatra’s eggs are finally within reach. Through some fuzzy plotting that probably doesn’t stand up to close scrutiny, Hartley is forced to team up with Nolan to clear his name and track down the real mastermind pulling the strings from behind the scenes, another notorious art thief known as “The Bishop.” No prizes for guessing who plays that devious shadow figure. The top-level international arrest warrant is called a “red notice,” hence the film’s generic title. When the egg again goes missing - with a fake being switched for the real thing - and a hefty cash transfer lands in Hartley’s account, Inspector Das presumes he’s in on the theft and adds him to her wanted list. She seems less than thrilled with the unsolicited collaboration of Hartley, even more so when they both turn up to apprehend slippery Nolan and retrieve the treasure from his swanky pad in tropical Bali. But the whereabouts of the third remain unknown.įollowing an anonymous tip that notorious art criminal Nolan Booth is planning to lift the egg displayed at Castel Sant’Angelo, FBI behavioral analysis unit profiler John Hartley (Johnson) intervenes before the thief can exit the museum, triggering an accelerated chase through the Roman monument and surrounding streets that also involves Interpol inspector Urvashi Das (Ritu Arya).
The eggs were long believed to be a myth, until two of them turned up in 1907 one now sits in a Rome museum and the other with a private collector.
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A South American jungle, complete with a waterfall and lagoon, almost conjures thoughts of the Maria Montez camp classic Cobra Woman.Ī mock TV history special sets up the backstory with the mystery surrounding three bejeweled eggs, each one more exquisite than the last, presented to Cleopatra by Mark Antony on their wedding day.
Production designer Andy Nicholson has done a creditable job re-creating famous sites like Rome’s Castel Sant’Angelo in the buoyant opening scenes, though elsewhere, attentive eyes will be quick to spot studio sets. The production flashes the names of international locations spanning five continents across the screen at regular intervals, but because of COVID-19 restrictions, it ended up being shot entirely in Atlanta. Cast: Dwayne Johnson, Ryan Reynolds, Gal Gadot, Ritu Arya, Chris Diamantopoulos, Ivan Mbakopĭirector-screenwriter: Rawson Marshall Thurber
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